She turned down the role and was replaced on October 10, , just three days before filming started, by MGM contract player Margaret Hamilton. During the reshoots in May, the inside of the farm house was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame; once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extras , and the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting. Proximate pyrotechnics are more than just mini fireworks displays. According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop. Manufacturers produced rum and ships, and by the late colonial period, Americans were producing one-seventh of the world's iron supply. They then had to photograph and catalog each Munchkin in his or her costume so that they could correctly apply the same costume and makeup each day of production.
There may also have been confusion with Nuu-chah-nulth , the natives' autonym a name for themselves. This meant that all the scenes Garland and Hamilton had already completed had to be discarded and reshot. Or bring the display indoors, right inside the arena or stadium or even the local shopping mall or convention center Ballroom. The MGM art department also had to create the various matte paintings for the background of many of the scenes. Newsreel footage is included in which Temple wisecracks, "There's no place like home", suggesting that she was being considered for the part at that time. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they all eventually won. Relatively small Native American populations were eclipsed. Some moviegoers felt that the year-old Garland was slightly too old to play the little girl who Baum originally intended his Dorothy to be. Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters. By moving the gantry and rod, he was able to create the illusion of a tornado moving across the stage. She spent three months healing before returning to work. He was hospitalized in critical condition, and subsequently was forced to leave the project; in a later interview included on the DVD release of The Wizard of Oz , he recalled the studio heads appreciated the seriousness of his illness only after seeing him in the hospital. According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop. At the same time, however, many natives and settlers came to depend on each other. We use only the best, Evaporating DRY Snow Machine Generators, in the industry and all our snow machines are tuned by a professional acoustician to remove motor noise. The makeup used for Haley was quietly changed to an aluminum paste, with a layer of clown white greasepaint underneath to protect his skin; although it did not have the same dire effect on Haley, he did at one point suffer an eye infection from it. The above list is excerpted from the liner notes on the Rhino Records collection. Although the Spanish did not land, natives paddled to the ship to trade furs for abalone shells from California. Our special effects will look like pure magic on your stage Just like the theme park special effects. The Wicked Witch is dead! He has the expertise you expect from the planning stages to set up and in the total execution of all your cues. In later years, when the film became firmly established as a classic, Vidor chose not to take public credit for his contribution until after the death of his friend Fleming in Deleted songs[ edit ] Lobby card with still of deleted musical number "Hail! Flinn predicted that the film was "likely to perform some record-breaking feats of box-office magic," noting, "Some of the scenic passages are so beautiful in design and composition as to stir audiences by their sheer unfoldment. The Making of a Movie Classic states that Mervyn LeRoy was under pressure to cast Temple, then the most popular child star, but at an unofficial audition, MGM musical mainstay Roger Edens listened to her sing and felt that an actress with a different style was needed; a 50th anniversary documentary for the film suggested that Temple, then years-old, was slightly too young for the part.
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